Skip to content

“Hurt Locker” leads 2009 awards

Here are the results of the January 2, 2010 vote by the members of the National Society of Film Critics. The winners are marked with a *, followed by the second and third place runners-up. 46 members out of 64 voted, using a weighted ballot system (3 points for first place, etc.); the numbers represent the total votes for each nominee on the final, winning round.

BEST PICTURE
*1. The Hurt Locker 64 (Kathryn Bigelow)
2. Summer Hours 23 (Olivier Assayas)
3. Inglourious Basterds (17) Quentin Tarantino

BEST DIRECTOR
*1. Kathryn Bigelow 85 (The Hurt Locker)
2. Olivier Assayas 23 (Summer Hours)
3. Wes Anderson 18 (Fantastic Mr. Fox)

BEST FOREIGN LANGUAGE FILM
*1. Summer Hours 61 (Olivier Assayas)
2. Everlasting Moments 21 (Jan Troell)
3. Police, Adjective 20 (Corneliu Porumboiu)
3. 35 Shots of Rum 20 (Claire Denis)

BEST NONFICTION FILM
*1. The Beaches of Agnes 40 (Agnès Varda)
2. Tyson 30 (James Toback)
3. Anvil! The Story of Anvil 25 (Sacha Gervasi)

BEST SCREENPLAY
*1. Joel and Ethan Coen 33 (A Serious Man)
2. Olivier Assayas 25 (Summer Hours)
3. Quentin Tarantino 22 (Inglourious Basterds)

BEST ACTRESS
*1. Yolande Moreau 22 (Séraphine)
2. Meryl Streep 21 (Julie & Julia and Fantastic Mr. Fox)
3. Abbie Cornish 19 (Bright Star)

BEST ACTOR
*1. Jeremy Renner 30 (The Hurt Locker)
2. Jeff Bridges 24 (Crazy Heart)
3. Nicolas Cage 15 (Bad Lieutenant)

BEST SUPPORTING ACTRESS
*1. Mo’Nique 28 (Precious)
2. Anna Kendrick 24 (Up in the Air)
2. Samantha Morton 24 (The Messenger)

BEST SUPPORTING ACTOR
*1. Christoph Waltz 28 (Inglourious Basterds)
*1. Paul Schneider 28 (Bright Star)
3. Christian McKay 27 (Me and Orson Welles)

BEST CINEMATOGRAPHY
*1. The White Ribbon 33 (Christian Berger)
2. The Hurt Locker 32 (Barry Ackroyd)
3. Everlasting Moments – 19 (Jan Troell and Mischa Gavrjusjov)

BEST PRODUCTION DESIGN
*1. Nelson Lowry 43 (Fantastic Mr. Fox)
2. Rick Carter 28 (Avatar)
3. Henry Selick 12 (Coraline)

FILM HERITAGE AWARD
Restoration of Rashomon by Academy Film Archive, the National Film Center of the National Museum of Modern Art, Tokyo, and Kadokawa Pictures, Inc.
Bruce Posner for the restoration of “Manhatta”
Treasures from American Film Archives, Vol. 4: Avant Garde 1947-1986 (National Film Preservation Foundation).
Warner Archive Collection.
UCLA Film &Television Archive for its restoration of The Red Shoes.
Kino International Avant-Garde Volume 3 (Experimental Cinema 1922-1954).

No comments yet

Leave a comment